“Minnesota” sounds like it could exist on any Gucci mixtape before 2010, even down to the signature ATL trap horns. Since Chief Keef was a teenager, he’s worn the influence of Gucci Mane on his sleeve. Just about every other day over the last two months, new Chief Keef songs have unofficially surfaced on YouTube.
Whatever it is, his fans won’t stop leaking his music. Or maybe he’s just on his couch playing Warzone. Maybe he picked up a new hobby, like gardening. Five of the best recent Chief Keef leaksĭoes anyone know what Chief Keef has been up to in the last several months? Maybe he’s spending the quarantine doing some home renovations. Instead he just raps with straightforward fire, aggression, and hate-all the feelings that make this remix feel like one of Tony Soprano’s unhinged therapy sessions. “The Shade Room was posting things, they don’t understand how I’m living slime/But they won’t understand how I’m 20 cockin’ over 10 million huh,” he raps, taking shots at the Instagram blogs who follow his life like the paparazzi once did Paris Hilton.
beat was intended to provide a backdrop for Jay’s rapping about real estate and taxes, but YoungBoy is angry at the world. YoungBoy’s refusal to step out of his comfort zone is part of what makes his remix to JAY-Z’s “ The Story of O.J.” so surprising. You’ll rarely encounter a risk across his many mixtapes, but that hasn’t necessarily made the music less effective.
The usual criticism of YoungBoy’s music is that too many of his songs use the same formula: bitter, catchy crooning about his insecurities and paranoia set to either a melancholy piano beat or some gloomy acoustics. Nobody in the film does (except a finger-wagging old woman who responds by telling her that “Harriet Tubman just shot herself in the afterlife”). When Radha tells her longtime best friend Archie that she wants to record a mixtape, he exasperatedly says, “Honey, we are not in high school”-but he doesn’t necessarily clown her newfound dream. The new Netflix dramedy The Forty-Year-Old Version tells the semi-autobiographical story of director, writer, and star Radha Blank, who decides she wants to become a rapper as her 40th birthday approaches. We don’t make fun of older rappers like we used to I’m not even sure if this should be considered a song or if it’s just a peek inside of his warped mind.
Even for YN Jay, a rapper whose made a career out of “ coochie”- themed songs in the past six months, “Doonie Van” is bizarre. This breakthrough is short-lived: He halts again and screams “ Ughhhhahhhh” in frustration, like he can’t control the words coming out of his mouth. On “Doonie Van,” the Flint rapper spends the bulk of the song’s one-and-a-half-minute runtime trying to find the power to repeat his signature bars from “ Coochie Land”: “How are you doing today, I’m the Coochie Man/I just pulled up with 10 hoes in the doonie van.” In the process, Jay repeatedly stops, starts, and interrupts himself with anxious words of motivation like, “No you said it like that last time, Jay!” and “No man!” But eventually he manages to cooperate with himself and smoothly raps the two familiar lines. YN Jay endlessly recycles his own lyrics-about the sex he’s had, the sex he is about to have, and the sex he hopes to have-and somehow keeps coming up with something new.
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